Thursday, 2 December 2010
Digi pack
Tuesday, 9 November 2010
Call sheet
Monday, 8 November 2010
Saturday, 6 November 2010
Making a digi pack
This first image shows the title and band name been added, we used the same font on both but different sizes. we decided that the colours used should be red and black, most of the writing is filled with red and outlined with black apart from three letters in black so that is would stand out more. The colours used are also used on the poster because we wanted the same style and theme to be used to make our products similar and recognisable. This next image shows the shapes been added for the band logo, this is also the same colours of red and black. The logo had to resized for the album cover because we didn't want it take up too much room and also we didn't want it to be the main focus on the cover. |
Monday, 11 October 2010
Tuesday, 5 October 2010
Target Audience Profile
Summary of Results from Questionnaire
Monday, 4 October 2010
Primary Audience Research
Questionnaire
1.What is your favourite genre of music?
Please circle your answer
Pop Rock Techno Indie RnB Metal Dance Other
2. On a scale of one to ten, ten being the highest, how important do you think music videos are?
1 2 3 4 5 6 7 8 9 10
3. Which type of music video would you prefer to watch? Tick your choice
A video of the band performing
A video following a storyline which links in with the song
A mixture of the two above
A video that doesn’t relate to the band or the song and is quite abstract
4. Do you prefer songs which are:
Short
Medium
Long
5. Whats your favourite mood of song?
Sad Happy Angry Romantic Comedic Scary Exciting
6. Who do you think the main audience is for indie music?
Children
Yound Adults and Teenagers
Adults
Elderly People
Everyone
7. Do you think music videos help a band sell more records?
Yes
Possibly
No
8. Are you more inclined to watch a music video if you liked the song and the band that created it?
Yes
No
Doesn’t matter to me
Tuesday, 28 September 2010
Saturday, 25 September 2010
Genre Research - Digipak/Album Covers
Digipak Analysis
Friday, 24 September 2010
Genre Research - Music Videos
You Me At Six - Save It For The Bedroom: The editing and camera movements within this video are asthetically interesting. The video cuts quickly between narrative and performance, which is common in music videos for our chosen genre.
All American Rejects - Move Along: This image has a distinct aspect that we would like to experiment with in our music video. The lead vocalist of the band is dressed in different ways when he sings different words of the song. This is cut quickly. We would like to experiment with using this technique, but having different characters from the narrative singing the words from the title line.
The Futureheads - Heartbeat Song: This video is very colourful. It flicks between a narrative of a game show and performance of the band playing the song. We aim to combine a narrative and performance in our music video. This gives us inspiration into dofferent ways to shoot and edit.
The Twang Feat. Pro Green and Mike Skinner - Either Way: This video heavily features the vocalists and band of this song. There are a lot of meat shots in this video.
The Cribs - Mens Needs: This video comes from the indie genre, the same genre that we are looking at. We will take inspiration from this video in the way that it uses objectification of a woman to keep the male gaze. This is a performance video. We plan to use a performance in our video and this video has given us the idea to have girls walking around the band as they perform.
Lyric Breakdown
Narrative starts with boy and girl ending their relationship and girl walking away, as the pace quickens it cuts to studio to show a band.
Let's go!! Meat shot of singer
Cross cuts between the band in the studio and the crowd in club.
I said a 1,2,3 Quick cuts between three different females
take my hand and come with me Cut to man holding out his hand to lead one of the females away
'Cause you look so fine
And I really wanna make you mine. Goes back to the studio when it gets to the word “mine” cuts back to club. Shows the man leading the girl away and he turns to the camera and winks.
It pans then cuts to the studio
I said you look so fine
And I really wanna make you mine.
Oh, 4,5,6 come on and get your kicks Quick cuts of the club
Now you dont need that money
When you look like that, do ya honey? Goes to a women at the bar ordering a drink till a man comes over and pays for her drink
Big black boots, close up cuts of a female show her boots going up
Long brown hair, cutting close ups going down woman’s hair
She's so sweet Cut zoom in to actress to show facial expression
With her get back stare. Camera tracks away fast
Back to studio to show long shot of band performing
Well I could take, Meat shot of lead vocalist
You home with me, Club toilets, man walks in
But you were with another man, point of view shot of man, showing the girl he likes in a cubicle with another man yeah! Close up of mans face to show emotion.
I know we ain't got, much to say, Studio, pan of band
Before I let you get away, yeah! Cut to club, man walks away, woman follows
I said, are you gonna be my girl? All close-ups of different people, each speaking a different word
Instrumental (10 secs): Point of view shot from last person to show girl he was talking to walk away.
Cut back to studio
Well, so 1,singer 2,guitar 3, drummer take my hand and come with me boy approaches girl,
Because you look so fine medium shot of back of boy, girl looking over his shoulders
And I really wanna make you mine. Girl starts to smile, boy shows relief
I said you look so fine Girl mimes as other girl walks over
And I really wanna make you mine. Other girl hands drink over, boy looks shocked
Girls kiss
Oh, 4,5,6 cuts of studio come on and get your kicks shot of boy showing his reaction change
Now you dont need that money girls pull away, and look at boy
With a face like that, do ya... girl 1 pulls second girl away and boy follows
People dancing
Big black boots, studio, drummer
Long brown hair, studio, guitarist
She's so sweet meat shot vocalist
With her get back stare. Slides to back to club
Well I could see, girl from beginning in garden with new man
You home with me, pull focus to show first man at door
But you were with another man, yeah! Studio
I know we ain't got, man walks towards ex much to say, Girl tries to pull away and man has her pinned
Before I let you get away, yeah! Man pushes nasty man away and scuffle
I said, are you gonna be my girl? Studio, Close up of song
Dipping shots of different couples and scenarios happening in club (28 sec instrumental)
Oh Yeah
Oh Yeah
C'mon
I could see, Band
You home with me, Band
But you were with another man, yeah!
I know we, ain't got much to say, Back to the boys, nasty man walks off and good one helps girl up
Before I let you get away, yeah!
Uh, be my girl.
Be my girl.
Are you gonna be my girl? Yeah! End on girl and boy kissing
Thursday, 16 September 2010
initial ideas - word cloud
This is a thought cloud that we created to outline our initial ideas. We had a discusion about different songs we could use and the talked about the different ideas we had for each song. Whilst throwing ideas around, we decided on our definite song choice (Jet - Are You Gonna Be My Girl). We will, later, look at these ideas and develop them further, as to create a clear narrative for our music video.
Friday, 9 July 2010
Magazine advert Analysis
9 Frame Analysis of a Music Video
Shot 1/ 0.38 Minutes: The close-up, or meat shot, of Billie Joe’s face, establishes him as the lead singer and also the narrator of the video. The framing of the shot, with the shallow focus relates to the genre of the song. It is framed so that the singers head dominates, showing his importance. The shallow focus ensures that the emphasis is on Billie Joe’s face. Again, the genre is also established by the dark make up on his eyes. This is typical of more rock and alternative band and singers. The microphone included in the shot shows his role in the video. This shot comes from a cutaway from the narrative of the video to show us the performance used.
Shot 2/ 1.09 Minutes: This long shot shows changes to coincide with the music and lyrics. Overall the music video for ’21 Guns’ shows illustration through narrative. The music has a higher tempo which goes with the narrative to show all is not right with the scene we are witnessing. The character is central in the frame, suggesting that she is central to the story. Visible in the shot are aspects of a ‘normal’ home. However there is writing on the wall and the bullet holes through the walls, scattering the outside light into the room. The costumes used are black in this frame, which is a running theme throughout the video. This frame illustrates the lyrics and title of the song.
Shot 3/ 1.55 Minutes: This low angle shot uses a shallow depth of field to show the importance of the flashing telephone. The background of the shot seems to be at a slightly odd angle. This could reflect the bizarre situation of the narrative. The main prop in this shot is the phone. This suggests that the people on the outside of the house are trying to contact those on the inside. The lighting seems quite murky in this frame. This could be explained by the dust, caused by the gunshots. During the shots previous to this, the cuts had been slower. This is due to the fact that the music had become softer.
Shot 4/ 2.08 Minutes: The over the shoulder shot of the mirror’s reflection looks quite surreal due to the broken glass. The reflection is shattered and shows the boys face distorted and the girl is seen twice. This looks quite spooky. The reflection is the only thing visible in the frame. This shows the destruction caused by the guns and could suggest the cracks in the relationship of the two characters. Again the colours, costume and lighting are all dark again, carrying on the theme and style of the video.
Shot 5/ 2.27 Minutes: The chorus has picked up again in this shot, a close-up of a bullet ripping a hole in a sofa. We see this action from the side. This makes it look more powerful. The vase in the background of the shot is still intact. This could suggest that there is hope, even throughout the destruction. This shot helps the narrative drive of the video and again illustrates the lyrics.
Shot 6/ 2.49 Minutes: A medium shot of the fish tank, leaking after being blown apart by a bullet, packs impact to the video. The addition of the telephone inside the tank suggests that the female character has taken control. She has thrown the phone into the water in disregard. It seems that she doesn’t care about the situation anymore and has left the safety of the corner to walk across to meet the male. The water pouring out creates urgency within the scene. The setup of this shot is against the wall of the home. The darker colours stand out against the natural walls.
Shot 7/ 3.09 Minutes: The long shot of the couple together and the wall of the house shows the closeness of the two characters. This is emphasised by how much space there is surrounding them in the frame. The light coming through in rays from the holes in the walls makes the shot look more powerful. This is the first time we have seen the couple touch, as the song and video draw to their climax.
Shot 8/ 3.26 Minutes: This is one of the most powerful shots of the entire video. It shows Billie Joes guitar solo. The high key lighting has gone and Billie Joe has been lit from beneath, which suggests his power, and from the intermittent explosions behind him. This shot shows the performance side of the video. He is central in the frame and shot at a slightly lower angle, making him look taller and more powerful. The darker clothing used in this shot makes Billie Joe blend into the background until he becomes more visible when the explosions happen behind him.
Shot 9/ 4.31 Minutes: An establishing shot of the whole band playing is the first time we see the band performing as a whole. The narrative seems to have come to an end and the focus is on the performance of the band. The side view of the band allows each member to be seen within the frame. The costumes used are typical to the band and goes with their already established image.
Tuesday, 6 July 2010
Analysis of a Chosen Music Video
A2 music video analysis on Prezi
This is my music video analysis for Marina and the Diamonds' 'Mowgli's Road'. I really like the techniques used in this video and I like the song, so i chose to analyse it.